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Category Archives: Art Museums & Exhibitions

A Winter’s Project

31 Tuesday May 2022

Posted by pat in Art, Art Museums & Exhibitions, paintings, sketching, Uncategorized

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This past winter I was lucky enough to get a lovely commission for two paintings from Gallery50, my long standing gallery in Rehoboth Beach, DE.

One was a large 60 x 40″ canvas that would feature Barnett Newman’s Air Heroicus Sublimis at MOMA (The Museum of Modern Art in New York City).  For the other, which was to include a school visit, I chose one of my favorite galleries at the Metropolitan Museum of Art in NYC that revolved around Degas’ The Little Fourteen-Year-Old Dancer. This painting would be smaller and more intimate in scale. I had an earlier photo I had taken that I would rely on for angle. But it needed to tell a story. It needed the children.

I ordered the stretched canvas.  The 24″x36″ came almost right away.  The 60″x40″ took over a month because of 2022 supply and shipping issues.  But I had plenty to do in the meantime.

I started going through my photo files.  I have lots of reference from years of museum visits, but choosing the perfect combination of gallery angles, art and figures took time and thought. The dining table in front of the fire became my workshop. It was January.

I sketched, erased, ripped up the tissue and started again.  I always want to tell a story in these gallery scenes. With all the activity of a class assignment on the left of the smaller canvas, I wanted to balance the scene with a younger child fixated on Degas dancer. She is oblivious to the chaos around her.  I finally penciled it on to the canvas.

For the Newman gallery scene at MOMA, I wanted to include a variety of museum goers.  I like to balance the different characters, and the young girl working on her notebook was the perfect foil for the man on the right looking at his phone (by the way, that is my husband–this is a typical shot of him after he’s viewed the gallery with me and I want to linger in the space longer…he’s a very patient man). The small lettering on the sketch are color notes to myself.

Still waiting for the larger canvas to arrive, I began to work color on The Little Ballerina.  I went on line to make sure the Degas gallery at The Metropolitan Museum of Art looked the same now.  Covid had kept me away for a couple of years.  I was surprised to learn that they had put a new skirt on the dancer. It is now longer, fuller and a beautiful pale ivory blush, different from what I had in my older photos. There is a wonderful Met video on YouTube explaining why they decided to do it and the process they used.  Fascinating.

And so it begins.

I made real progress on the Met piece, and then the larger canvas came in.  I work in layers of color with some drying time between sheer passes, so it was a good time to set one aside and start on the other scene at MOMA.

And then there were two.  I did work back and forth, getting to stages where I wanted some drying time on one as I moved to the other.  It was well over two months of this back and forth process. The snow outside my studio window turned to early spring skies and birds chirping. It was March. I can only work 4-5 hours a day with breaks.  The concentration is intense.

And finally, they were both finished.  And I changed my mind minute to minute as to which was my favorite. Usually the one I last worked on. I am very pleased with them both.

After several weeks of drying time, they were ready to take down our stairs and to carefully pack them both in to the car for delivery to the gallery.

 

The Little Ballerina, 36 x 24″, oil on canvas

 

Heroic Vision, 60 x 40″ oil on canvas

The Baker

09 Saturday May 2020

Posted by pat in Art, Art Museums & Exhibitions, paintings, sketching, Uncategorized

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bakery, coffee shop, Washington DC

For this painting, I worked from a photo image that I had taken a little more than a year ago at one of my favorite coffee/bakery stops near The National Gallery of Art in Washington,D.C.

Standing on line at the coffee bar, looking at the gorgeous sandwiches, rolls and pastries in the clear cases, you could turn to the other side and see the bakers working behind a wall of glass. I originally wondered if I would show more of the reflection in the glass. I did a bit, but greatly modified it from my original thoughts.

Now in the midst of the 2020 pandemic, there’s not a chance anytime soon of taking the metro in to town, walking to this shop to pick up my coffee and head over to any one of the numerous art museums in the area.

I truly miss it, even though I am safe and happy in my studio cocoon at home.

This image reminds me of those heady days, wandering into an open, social world with no fear.  I wonder how this baker is doing now.  He seemed to have such joy and purpose in his job.  I assume his world has been turned upside down also. Will he be ok?

The Baker, 24 x 30″, oil on linen.

 

English Inspiration

10 Thursday Oct 2019

Posted by pat in Art, Art Museums & Exhibitions, Bath, Burnham-on-Crouch, Cornwall, Cornwall, England, Gardens, Grasmere, Lake District, Lake District, London, paintings, sketching, The New Forest, Travel, Uncategorized, United Kingdom

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We’ve just returned from three weeks in the UK, our first visit in 3 years.  For Mike, it was a whirlwind tour of meeting up with friends and family, trying to catch up with all the news and rehash old stories. I love that part of these trips, but for me, my goal was searching for enough painting resources and inspiration to sustain me in to the future.

These trips give me the space and freshness that I rely on for months in my studio work.  Often I revisit my photos years later, and find a new vision that I hadn’t seen before. There is something about having the time to explore an unfamiliar environment, away from the daily routine.  You see things in a different way. Connections are made, insights discovered.

Whether on country strolls, or museum visits in the cities, it re-charges me for months to come.  This time I took close to 500 photos! But often I just walked and breathed in the images.

We started in Kent, in the Southeast corner of Great Britain and found a great bolt hole between Dover and Canterbury.  It was a beautiful resort, the Broome Park Hotel. Although promoted as a “Golf Resort and Wedding Venue” tucked in to the countryside, I found glorious walks in the early morning across the surrounding fields with no one else around except the birds and sheep. We had a “lodge” on the grounds with two bedrooms a living room and a washer and dryer!  A real bonus for European travel.  And we could walk to the pub in the main manor house at night along the fields for dinner. It was a mid-week bargain, and we could catch up on sleep.

Revived, we found time for a wonderful visit with family in Essex,

and joined up with old sailing mates at the Southampton Boat Show.

And then it was back to the countryside – The New Forest and the Montagu Arms.  The wild horses roam the streets in this unenclosed pastureland, heathland and forest, both in the countryside and through the towns and villages. On one of our very first trips to England together, Mike took me to The New Forest as a special treat, and I still love it.  Perfect weather that first week also helped. Mid-70s and sunny!  Could this really be September in England?

A quick stop at one of my favorite spots, Bath, then we were on our way to Cornwall and St. Ives, a north coast town that is now home to Tate St. Ives Art Museum. It was a challenge to park in the hilly, seaside town and make it down cobblestone streets with luggage in tow to our Inn, The Lifeboat. But when we got there it was worth the challenge. Reception told us it is a right of passage to deal with parking and luggage in St. Ives.  We succeeded, barely, but the reward was a room facing the sea right on the front.

We loved it here.  It was filled with galleries and art for me, and boats and pubs for Mike. It is a huge haven for artists with The Tate in the center of it all.  The exhibitions at the museum focus on the history of many local artists who came here during WWII to escape the bombings in London, and ended up starting a fresh new art colony. The tradition continues with studios tucked everywhere, many of them open during this autumn “Arts Week”.


Mike found a fabulous place in the backstreets of St.Ives, “Olives”, and we did a “lunch” of scones and cake and tea that was to die for. There were winding roads all through the town filled with many surprises, and we often just wandered, seeing where the twisted narrow roads would take us. It was a joy to explore, always looking for a new sea view for dinner.

Finally, we went down to the south side of Cornwall to visit and catch up with more family, and rediscover one of our favorite spots, Charlestown. I actually drove that day from St. Ives to Charlestown on those teeny tiny roads, roundabouts, and confusing lanes through the Cornish country. But we made it without a scratch!

The weather was changing, and fierce winds blew us along our walks from our Inn down the lane to the sea.

We then headed up the west side of England in the rain, across Bodmin Moor

and after a stop in the Cotswolds at a familiar site…The Hare and Hounds…

we were off to the north and The Lake District.

We had four days in the Wordsworth Inn in Grasmere and although the weather finally turned showery and cloudy after over a week of sunshine (very un-British) we didn’t mind. It’s the grey country, after all. And it’s what makes everything so lush and green.

I had brought my rain coat and “brollie” and managed to walk every day, visiting old haunts and discovering new inspiration.

After the best break ever, we headed back down south through Cambridge, home of one of my favorite art museums, The Fitzwilliam, and a room with a view of the punts on the River Cam.

Then on to visit friends at Burnham-on-Crouch, Mike’s old sailing hub,

and finally the last 5 days in London.  Phew!

London meant The National Gallery, The National Portrait Gallery, and The Royal Academy.

We did Notting Hill, Piccadilly, Kensington and Hyde Park…and I even took a rainy afternoon to see a matineee of “Downton Abbey”.  What could be more appropriate.

We even managed to fit in Sunday Roast with friends in the center of London.

Finally Heathrow, and home! To paint…where to even begin?

Now starts the time of looking for connections, sorting through images, thinking of patterns and context of not just the visual images but also the stories that connect us all.  The depth and underlying currents are just as important to me as the visual beauty of our world. Country lanes and city streets with the background sounds of Brexit on the news.  I am already looking forward to the studio season.

Long Hot Summer

09 Tuesday Jul 2019

Posted by pat in Art, Art Museums & Exhibitions, Books, paintings, sketching, Travel, Uncategorized

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Blue Mountain Lake, conte crayon, graphite, Jardin des Tuileries, Norfolk Coast UK, pastel

I normally think I prefer the winter months to work in my studio.  It’s cozy inside hiding from the cold.  But this summer, I find I am also  retreating from the heat in to my studio.  And I have decided instead of my usual oils I wanted to try something new.  So I have returned to conte, graphite and pastels.

Blue Mountain Lake, 11 x 14, conte and graphite on paper

It is like visiting a dear friend whom you haven’t seen in a long time.  It takes a bit of time to pick up the rhythm, but then it slips into the familiar.  Such joy.

Norfolk Coast Dunes, 11 x 14″, conte and graphite on paper

Part of the fun is I get to spend hours going through my images.  I always only work from my own photos, so each journey in to the past allows me to relive the beauty of my travels.  That always seems to be where I find the best inspiration.  The unfamiliar invites wonder.

Jardin des Tuileries,  11 x 14″, pastel on paper

Paris, England, the Adirondacks, Shenandoah…each has its own appeal. And how do I approach the subject?  I have a general idea in my head.  I look at my collection of art books or borrow from my local library for a gentle push of my creative brain…Hockney, Kahn, Bonnard, Porter, Twombley, Van Gogh, Whistler. A quick trip in to the city to an art museum always helps, and often creates its own subject matter.

There are so many great artists to learn from, but my own style always pushes through all the influences. I find the space where I am comfortable, the stroke of the chalk that makes me happy, the color palette that brings me contentment.

I push through the frustration when things just don’t work right.  I don’t give up easily.

Sometimes I only find completion when I’ve given up all hope, and just don’t care if I “ruin” it or not. That’s often when it takes flight.

June (Kousa Dogwood), 11 x 14, pastel on paper

 

Everything is all right in my studio, whatever the season.

 

 

Descanso Gardens

10 Sunday Mar 2019

Posted by pat in Art, Art Museums & Exhibitions, paintings, sketching, Uncategorized

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camellias, Descanso Gardens, Los Angeles, Red Bridge

I decided to take a month off from the studio this January, and instead refreshed my visual senses with a trip to the west coast.  For months I had been feeling the creative tug of painting landscapes again.  A fresh breath, so to speak.  

I had seen a quote by Vincent Van Gogh attached to the new Hockney/Van Gogh exhibition coming to Amsterdam this spring (https://www.vangoghmuseum.nl/en).  In a letter from December 1882, the artist wrote “Sometimes I long so much to do landscape, just as one would go for a long walk to refresh oneself, and in all of nature, in trees for instance, I see expression and a soul.”

I couldn’t agree more, So in the beautiful Descanso Gardens in the hills on the outskirts of LA, I found my muse.

I had been to the gardens before, and one of my favorite spots is the Japanese Garden with its striking red bridge.

The camellias were blooming. In 1942, when people of Japanese ancestry were forced in to internment camps following the attack of Pearl Harbor, E. Manchester Boddy, who owned the working ranch, purchased 100,000 camellia plants from friends, two Japanese-owned nurseries.

Now a non-profit organization, the Descanso Gardens Guild manages the gardens in partnership with Los Angeles County.

This gorgeous place showcases the beauty of nature at its best and the desire to preserve it for future generations.

I’ve visited the gardens on many of my trips to LA, and I never get tired of it.

Descanso: The Red Bridge, 30 x 40″, oil

 

Children at the Museum

31 Wednesday Jan 2018

Posted by pat in Art, Art Museums & Exhibitions, England, paintings, sketching, Uncategorized

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Cambridge, School visits to Art Museums

A few years ago, I was in Cambridge and saw a museum scene in Cambridge of children relaxed and attentive on the floor of a gallery, contemplating and studying the art.

A patron asked if he could commission a new version with a similar vibe since the first one had sold this past summer. It was a familiar scene I have seen over and over again no matter where I go, a classic…students immersed in the art. So I took it on, trying to be original but capturing the fun and excitement of young students visiting the museum that had worked so well in the former painting.

I chose The National Gallery of Art this time, in Washington DC. I never have a total preconception  of what I will paint.  I always figure I’ll know it when I see it.  I knew I wanted young children in school uniforms visiting a museum. I found lots of school groups.  But not the age I wanted. So I kept looking.

When I walked up to the museum on an early weekday morning reconnaissance mission, I was pleased to see a group of children, in uniforms, sitting on the curb outside the museum.  I had my potential reference, at least for poses and styling details.

I  went in to the Museum, and walked through the galleries trying to decide on the art I wanted to showcase. When I walked in to the gallery with the vivid colors of Caillebotte, I made my choice, and shot several photographs of different angles.

Then for the school group.  I found the children again, and took enough photos of different poses from the back so as not to identify them, to get positions and poses.

I went home to sketch and realized I still wasn’t sure  about proportions in the space.  So back to the Museum for an hour or two of watching children come in and out of the room to determine height and proportion in relationship to the art and room. Perspective was tough.

Finally I had it.  I looked online for different uniform combinations, and decided on the blue, gray and black to compliment the colors in the art.  And only then was I ready for the weeks of sketching and painting and playing with colors and shadow.

Luckily, we were all pleased with results.  More often than not I try to capture models in an actual scene and then change them enough so they suit the scene.  Much easier than the cut and paste method, but with perseverance, this worked out well.

“Child’s Play”, oil on linen, 24 x 30″

Sunday Afternoon

24 Monday Jul 2017

Posted by pat in Art, Art Museums & Exhibitions, paintings, Uncategorized

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Phillips Collection, Washington DC

I have always loved the intimate setting of the Phillips Collection in Washington, DC.  I have visited it for decades. I had an hour to kill when I was downtown near Dupont Circle recently, so I popped in.

It was hot and busy out on the surrounding streets, with people getting coffee, visiting the street markets…hustle and bustle.

When I entered the Phillips, it was cool and golden.  The art is purposely juxtaposed to present different styles and eras in close proximity.  It gives a richness to the experience of wandering through the rooms, just as this couple was doing.

The red chair, the bright stairwell, and the soft glow around the painting they have focused on is a magnificent play of light, shadow and color surrounding a superb collection.

“Sunday Afternoon at the Phillips”, 30 x 24″, oil on linen.

Divided

17 Monday Jul 2017

Posted by pat in Art, Art Museums & Exhibitions, paintings, Uncategorized

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Kreeger

The Kreeger Museum is a hidden gem in Washington DC.  Hidden in plain sight on Foxhall Road NW, it is just a few minutes from Georgetown and Key Bridge. The private, non-profit museum is set on 5 acres of sculpture-filled, tranquil gardens.  The museum is the former residence of David & Carmen Kreeger, and focuses on 19th & 20th Century art, as well as prominent Washington artists.

It’s truly a lovely setting to view art. I’ve always particularly loved homes that have been turned in to museums. These rooms in the Kreeger are conducive to contemplation, as seen by these two women.

Separated by William Christenberry’s “Dream Building II” and surrounded by Clifford Still’s “Untitled”, Sam Gilliam’s “Cape”, and Josef Albers’ Homage to the Square:Wet and Dry” the two women are each lost in their personal worlds.

I especially loved the play of sculpted shadows set against the color of the paintings.  The women become part of that neutral palette, allowing the art to really define the space.

Divided, 24 x 36″, oil on linen

Seeing Red

11 Tuesday Apr 2017

Posted by pat in Art, Art Museums & Exhibitions, paintings, sketching, Uncategorized

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Matisse, MOMA, The Red Studio

Sometimes an image will stay with me for quite a long time and pop out years later in a painting.  In the case of “Reds” (which I just finished this week) this image recalls a visit to MOMA in New York City in January of 2015. I had gone up to see the special Matisse Cut-Outs show. I was not allowed to photograph in the galleries for this particular show, but of course couldn’t resist a few photos of the happy art lovers waiting on line to get in.

But it certainly put me in the mood for the Matisse room of the regular MOMA collection, and “The Red Studio” has always been one of my favorites there.

The room was not as crowded as it sometimes is.  Maybe the Matisse lovers were in the special cut-outs exhibit.

But when I saw these three young girls, all in shades of pink…they just reinforced Matisse’s monochromatic palette filling his canvas and pushing out from the edges.

Whenever I would re-visit my favorite reference files of photos from museum visits, I would stop and linger with this one. It’s been tacked to the wall in my studio off and on for the past two years.

The figures seemed to mimic the happy floating objects in Matisse’s studio.

I wanted to keep the loose joy of the master work without directly falling into its style.  But, these three figures really are simply a perfect extension of the composition.

Reds are tough.  And Matisse’s red is such a specific shade, which I actually felt I could never quite capture, although I layered it many times trying.

But the sense of vibrancy and movement is there, and extends into the surrounding room.  How can anyone not be happy in the presence of a Matisse.

“Reds”, oil on linen, 30″ x 24″

 

Shared Impressions

18 Saturday Feb 2017

Posted by pat in Art Museums & Exhibitions, Uncategorized

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Andy Goldsworthy, East Wing NGA, French Impressionism, Picasso, The National Gallery of Art, Washington DC

I have spent many mornings exploring the newly renovated East Wing of the National Gallery of Art since it re-opened last fall.  The old friend is still familiar, yet fresh and revitalized.

I almost always go alone to art museums.  It gives me the opportunity to really emerge myself in the art, and pick the little corner I want to explore that day.  But these three young women made it look like such fun to go with friends.

Tucked away to the left when you first come in the main entrance, there was a gorgeous exhibition from the museum’s French Impressionist collection.

These three women followed me through the collection, and exited to the main hall soon after I did.

Wedged between Andy Goldsworthy’s rock sculpture and the graphic detail of Madame Picasso next to the entrance (the original is inside!), the girls put their heads together and looked at their images on their phone.

I would love to think they had photographed images from the show, and were reliving the experience, but can’t know for sure.  But Madame Picasso, looking over their shoulders, probably has a pretty good idea what they’re talking about.

Whatever the conversation, I loved the camaraderie in a truly wonderful setting. “Shared Impressions”, oil on linen, 24 x 36

 

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