2020 was a very long year. Pandemic and politics has been more than difficult. My art saves me. It’s time to move on.
I have returned again to Mason Neck Virginia State Park for inspiration. Based on a photo I took last December on the edge of the wetlands, the light finally breaks through the tangled, muted winter tones.
I debated whether this was more of a challenge than I wanted right now, but the allure of the mysterious dark vs redemptive light was a compelling challenge. Just what I needed right now.
It’s always when I get to the middle part of a picture that it is the most daunting. You can’t really see the big picture at this point. It’s really a matter of where the paint takes you. I focus on small sections and worry about bringing it all together later in the process. Hopefully with a strong base framework, this will work out.
And then finally you make real progress, and it all starts making sense. You can see where to go and how to bring it all together and find a direction. Patience. Not my strongest virtue but it does serve me well on these complicated pieces.
Finally the beauty comes breaking through the tangled confusion. A few more corrections and attention to details… like making the center rear of the dark waters more defined to pull your eye back in to the depth of these dense woods.
Finally, it’s there. Like life, art is a process of searching for the best outcome.
Wetlands, In To The Light, oil, 40 x 30″